{"id":81,"date":"2008-10-09T19:26:55","date_gmt":"2008-10-09T23:26:55","guid":{"rendered":"http:\/\/blogs.elsweb.org\/nsftmfx\/?p=81"},"modified":"2023-08-27T05:57:40","modified_gmt":"2023-08-27T09:57:40","slug":"matthew-218","status":"publish","type":"post","link":"https:\/\/blogs.elsweb.org\/nsftmfx\/2008\/10\/09\/matthew-218\/","title":{"rendered":"Matthew 2:18"},"content":{"rendered":"<p style=\"text-align: center;\"><em>\u00e2\u20ac\u0153A <span class=\"smallcaps\">VOICE WAS HEARD IN<\/span> R<span class=\"smallcaps\">AMAH<\/span>,<br \/>\nW<span class=\"smallcaps\">EEPING AND GREAT MOURNING<\/span>,<br \/>\nR<span class=\"smallcaps\">ACHEL WEEPING FOR HER CHILDREN<\/span>;<br \/>\nA<span class=\"smallcaps\">ND SHE REFUSED TO BE COMFORTED<\/span>,<br \/>\nB<span class=\"smallcaps\">ECAUSE THEY WERE NO MORE<\/span>.\u00e2\u20ac\u009d<\/em><\/p>\n<p>With school in full rampant glory going strong and plowing ahead right now, life has become subjected to little more than the day-to-day, routine serving only as a frame for changing attitudes, emotions, ideas, &amp; my mind has been occupied with such.\u00c2\u00a0 There is a quote from <a href=\"http:\/\/en.wikipedia.org\/wiki\/Andr%C3%A9_Breton\" target=\"_blank\" rel=\"noopener\">Breton<\/a>&#8216;s &#8220;First Surrealist Manifesto&#8221; that has had my brain working overtime to deconstruct, figure out, and the parallels between his words and my own worldly view stick out like ornery splinters in a sore thumb &#8212;<\/p>\n<blockquote><p>The mind of the dreaming man is fully satisfied with whatever happens to it. The agonizing question of possibility does not arise. Kill, plunder more quickly, love as much as you wish. And if you die, are you not sure of being roused from the dead? Let yourself be led. Events will not tolerate deferment. You have no name. Everything is inestimably easy.<\/p><\/blockquote>\n<p>Everything is inestimably easy.\u00c2\u00a0 Everything.\u00c2\u00a0 is inestimably easy.<\/p>\n<p>I see these words &amp; I grin foolishly and resplendently when I take walks in fading October evenings.\u00c2\u00a0 These are such American times in which we live, such days of excess &amp; worry and complete unbridled debate &amp; competition.\u00c2\u00a0 Presidencies, lapel pins, &#8220;that one&#8221;s&#8230;where are we going with this?\u00c2\u00a0 Politics are a bore &amp; I long daily for a good hike to take or a nice lawn on which to lay my back and laugh and swear loudly.<\/p>\n<p>I have absolutely no seque for what I am about to launch into, &amp; everything I have just written has only been a feeble silly attempt to get at it, but now I&#8217;m stuck.\u00c2\u00a0 So I will just get on with it: African-tinged musical delicacies, or songs straight from the world&#8217;s most sadly forgotten continent.\u00c2\u00a0 For so much controversy, taboo, and confusion surrounding the nations of Africa, there is just as much culture, background, terror, &amp; uncultivated undiscovered art\/beauty\/art.\u00c2\u00a0 I have been entrenched in Paul Simon&#8217;s <em>Graceland <\/em>&amp; <em>Rhythm of the Saints<\/em> projects, &amp; have been meaning to share these songs that split themselves between cheesy 80&#8217;s musicianship &amp; Zimbabwean grace, for they are true examples of neo-colonialized performance.\u00c2\u00a0 And whether or not you think the idea is a good one or a bad one, more dangerous &amp; silly than actually beneficial, to deny the attractiveness of these songs is foolish, is&#8230;well&#8230;stupid.<\/p>\n<p>So, Listen.<\/p>\n<p>Diamonds On the Soles of Her Shoes.\u00c2\u00a0 [The percussion free for all at the end is of especial interest&#8230;&amp; Ladysmith&#8230;don&#8217;t even get me started]<br \/>\n<iframe loading=\"lazy\" title=\"Paul Simon - Diamonds On The Soles Of Her Shoes\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-I_T3XvzPaM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The Obvious Child.<\/p>\n<p><iframe loading=\"lazy\" title=\"Paul Simon - Obvious Child (Official Video)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/9HKNAhAxMAk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Under African Skies.\u00c2\u00a0 [fe\/male harmonies.\u00c2\u00a0 Wonderful so wonderful.]<\/p>\n<p><iframe loading=\"lazy\" title=\"Paul Simon - Under African Skies (Live from The African Concert, 1987)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/85rr5SqrCZI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Okay I won&#8217;t beat it to death, BUT I will add these songs at the end as an addendum, &amp; these are perhaps more important to my purpose.\u00c2\u00a0 Songs from <em>Nigerian Special<\/em>, a 2-disc set of Nigerian jams from the 1970s, each one worthy of 300 listens at the very least.\u00c2\u00a0 See the culture, see the idealism, see the romanticized beauty, the language of a mysterious tongue!\u00c2\u00a0 See the way the guitar sounds absolutely jangly &amp; mystified.\u00c2\u00a0 I can&#8217;t describe what this does for me.\u00c2\u00a0 Major major props to my good friend Miss Ruby for introducing me to all of this, take it for what it is, dance to it if you can.<\/p>\n<p>Leo Fadaka &amp; the Heroes: &#8220;Blak Sound&#8221;<\/p>\n<p><iframe loading=\"lazy\" title=\"Leo Fadaka and The Heroes - Blak Sound Part 1 &amp; 2\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/IqgjfBENm3k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Mono Mono: &#8220;Ema Kowa Iasa Ile Wa&#8221;<\/p>\n<p><iframe loading=\"lazy\" title=\"Mono Mono - Ema Kowa Iasa Ile Wa\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/vNz4ZLeQR3Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The Semi Colon: &#8220;Nekwaha Semi Colon&#8221;<\/p>\n<p><iframe loading=\"lazy\" title=\"Nekwaha Semi Colon\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/PmkixnG0Aa4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Godwin Ezike and the Ambassadors: &#8220;Torri Wowo&#8221;<\/p>\n<p><iframe loading=\"lazy\" title=\"Torri Wowo\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/zlIRIMZDtmM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>So.\u00c2\u00a0 Good.\u00c2\u00a0 See you all soon probably.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00e2\u20ac\u0153A VOICE WAS HEARD IN RAMAH, WEEPING AND GREAT MOURNING, RACHEL WEEPING FOR HER CHILDREN; AND SHE REFUSED TO BE COMFORTED, BECAUSE THEY WERE NO MORE.\u00e2\u20ac\u009d With school in full rampant glory going strong and plowing ahead right now, life &hellip; <a href=\"https:\/\/blogs.elsweb.org\/nsftmfx\/2008\/10\/09\/matthew-218\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-81","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":8,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/81\/revisions"}],"predecessor-version":[{"id":171,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/81\/revisions\/171"}],"wp:attachment":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/media?parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/categories?post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/tags?post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}