{"id":27,"date":"2007-03-30T08:30:44","date_gmt":"2007-03-30T13:30:44","guid":{"rendered":"http:\/\/blogs.elsweb.org\/nsftmfx\/2007\/03\/30\/judges-216\/"},"modified":"2008-07-03T23:30:02","modified_gmt":"2008-07-04T03:30:02","slug":"judges-216","status":"publish","type":"post","link":"https:\/\/blogs.elsweb.org\/nsftmfx\/2007\/03\/30\/judges-216\/","title":{"rendered":"Judges 2:16"},"content":{"rendered":"<p align=\"center\"><em>Then the LORD raised up judges who delivered them from the hands of those who plundered them.<\/em><\/p>\n<p>This is practically self-crucifixion, what I&#8217;m about to write about.  But then again, I wasn&#8217;t initially expecting the movie we watched last nite to cause such a stir.<br \/>\nBecause I thought it was the worst Morris film we&#8217;ve had the chance to see, &amp; I&#8217;ll tell you why.<\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"http:\/\/www.sonyclassics.com\/fastcheap\/stillsclips\/stills\/rats-3.jpg\" alt=\"Naked\" \/><\/p>\n<p align=\"left\">Starting with the general, <em>Fast, Cheap &amp; Out of Control<\/em> felt like a neverending trailer for a film that never actually presented itself.  It&#8217;s like sitting in a theater watching an ad that hints at central themes, characters, &amp; actions, hints that are meant to catch you as a viewer so that you want to go &amp; see that film because &#8220;I want to see what it&#8217;s all about!&#8221;  The problem is, this trailer is 80 minutes long, &amp; all those themes &amp; characters that are alluded to?  They never fully come out of the woodwork.  I was a big fan of Morris&#8217; idea of filming his subjects in natural environments (their homes, a park bench, on a boat), so watching this movie seemed like a huge step backward for the filmmaker.  The settings are vague &amp; staged, &amp; the four men thus just don&#8217;t feel real, &amp; I can&#8217;t concentrate on their stories if I don&#8217;t care who they are.<br \/>\n&amp; the music.  I thought it was a brilliant soundtrack, but it was just too much.  It&#8217;s the trailer that plays music all the way through, serving as a backdrop to push the quick action along, not the film.  Continuous soundtracks are not necessary for film, &amp; when the music is playing <em>the whole time<\/em> there&#8217;s no room to breathe &amp; think about what&#8217;s being said.  This is what made Morris&#8217; earlier films so much more brilliant: the idea of letting the people speak for themselves, without distractions or cheap camera tricks.<br \/>\nCos there were too many of those, too, those cheap little skewed camera angles &amp; slow-mo edits.  I felt cheated, having to watch an Errol Morris film that didn&#8217;t feel fully there.  It felt <em>too<\/em> edited, perhaps is what it was, whereas <em>Vernon, Florida<\/em>&#8216;s intrinsic beauty as a film was all in its seemingly shoddy editing (not the case, of course, but still it was wonderful because it seemed more pure).<br \/>\nDo you see what I&#8217;m saying?  These men were robbed of their interesting nature because it felt to me like Errol Morris tried too hard to <em>make<\/em> them interesting for the sake of fleshing out some larger themes.  Show me something that isn&#8217;t trying to impress me &amp; I&#8217;m far more likely to be impressed.  The style was too big for the movie, the characters too small for the style, &amp; the whole thing way too Hollywood.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Then the LORD raised up judges who delivered them from the hands of those who plundered them. This is practically self-crucifixion, what I&#8217;m about to write about. But then again, I wasn&#8217;t initially expecting the movie we watched last nite &hellip; <a href=\"https:\/\/blogs.elsweb.org\/nsftmfx\/2007\/03\/30\/judges-216\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[306,310],"class_list":["post-27","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-film","tag-filmtext-culture"],"_links":{"self":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":0,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/27\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/media?parent=27"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/categories?post=27"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/tags?post=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}