{"id":18,"date":"2007-02-28T18:15:19","date_gmt":"2007-02-28T23:15:19","guid":{"rendered":"http:\/\/blogs.elsweb.org\/nsftmfx\/2007\/02\/28\/proverbs-1413\/"},"modified":"2008-07-03T23:35:29","modified_gmt":"2008-07-04T03:35:29","slug":"proverbs-1413","status":"publish","type":"post","link":"https:\/\/blogs.elsweb.org\/nsftmfx\/2007\/02\/28\/proverbs-1413\/","title":{"rendered":"Proverbs 14:13"},"content":{"rendered":"<p align=\"left\">\n<p align=\"center\"><em>Even in laughter the heart is sorrowful; and the end of that mirth is heaviness.<\/em><\/p>\n<p align=\"left\">I may not have been in class today, but there seems to be a lot of talk circulating around these blogs concerning film adaptations.  I personally have never felt any specific affinity towards either medium when it comes to telling a good tale, although I suppose there are the exceptions (I still refuse to watch the film <em>American Psycho<\/em>, only because there&#8217;s no way it can be even half as extreme as the novel is; it isn&#8217;t a matter of preference, it&#8217;s just logic.  The film would have to be Rated NC-30 or something, honestly).  More often than not, I am much more curious to read a book after having watched the movie it is based on, rather than the other way around.  <em>Fight Club<\/em> the movie was a Top 10 Favorite of mine for years in middle &amp; high school, &amp; I had to read the book three times through before I overcame the initial &#8220;It-can&#8217;t-be-better&#8221; hurdle &amp; realized how much better it was.  <em>High Fidelity<\/em> was a movie I had seen, cared nothing about until I read the book &amp; thought it had its moments, leading me to re-watch the film &amp; come to the conclusion that it really sucks in comparison.  Let&#8217;s see, <em>One Flew Over the Cuckoo&#8217;s Nest<\/em> is a better film (but only slightly, &amp; only cos of Jack Nicholson), <em>Everything is Illuminated<\/em> is a much better book (saw the movie first, however!), &amp; Roald Dahl&#8217;s books all get turned into great movies, for what they&#8217;re worth (<em>The Witches<\/em> being the best, then <em>Matilda<\/em> &amp; <em>Charlie and the Chocolate Factory<\/em> in that order, altho I think we&#8217;re all holding out for Peter Jackson to make a 5-hour version of <em>The BFG<\/em>, preferably in three installments).<\/p>\n<p align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.fiery-angel.com\/current\/bfg\/bfg.jpg\" alt=\"\" width=\"250\" height=\"351\" \/><\/p>\n<p align=\"left\">The biggest novel-to-film adaptation I can recommend, tho, is <em>Requiem for a Dream<\/em> by a million miles.  I might be a bit biased cos it&#8217;s my favorite film, but Hubert Selby Jr.&#8217;s <a href=\"http:\/\/www.amazon.com\/Requiem-Dream-Hubert-Selby-Jr\/dp\/1560252480\/sr=1-2\/qid=1172703570\/ref=pd_bbs_2\/002-3295049-2944851?ie=UTF8&amp;s=books\" target=\"_blank\">book <\/a>took me months to get through, &amp; I think that&#8217;s a good thing.  I had seen the movie tons of times before I dug into the novel, &amp; for the record it was a pleasant surprise; Selby uses no punctuation or spellcheck &amp; because of it the story of 3 heroin addicts in the mid-70&#8217;s (which Aronofsky made late-90&#8217;s for the film) is frantic, scizophrenic, &amp; really hard to follow at times.  For that, I award <em>Requiem<\/em> the award for Watch the Movie &amp; the Book, Please!  Feels good to write about that movie, such a phenomenal film, expect me to come back to it later.  &amp; repeatedly.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even in laughter the heart is sorrowful; and the end of that mirth is heaviness. I may not have been in class today, but there seems to be a lot of talk circulating around these blogs concerning film adaptations. I &hellip; <a href=\"https:\/\/blogs.elsweb.org\/nsftmfx\/2007\/02\/28\/proverbs-1413\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[306,310,309],"class_list":["post-18","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-film","tag-filmtext-culture","tag-literature"],"_links":{"self":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":0,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/posts\/18\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/media?parent=18"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/categories?post=18"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/nsftmfx\/wp-json\/wp\/v2\/tags?post=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}