{"id":14,"date":"2007-02-12T14:50:35","date_gmt":"2007-02-12T21:50:35","guid":{"rendered":"http:\/\/blogs.elsweb.org\/marycarolyn\/2007\/02\/12\/terms-terms-and-more-terms\/"},"modified":"2007-02-12T14:52:06","modified_gmt":"2007-02-12T21:52:06","slug":"terms-terms-and-more-terms","status":"publish","type":"post","link":"https:\/\/blogs.elsweb.org\/marycarolyn\/2007\/02\/12\/terms-terms-and-more-terms\/","title":{"rendered":"Terms, Terms and More Terms"},"content":{"rendered":"<p>After today\u00e2\u20ac\u2122s class, I thought it might not be a bad a idea to list and define some \u00e2\u20ac\u0153key\u00e2\u20ac\u009d terms in film studies; I thought it would be easier if we had a list of a few important things in one place so when ideas like cut, mise-en-scene and camera angles come up, we\u00e2\u20ac\u2122d have some of those already defined. Most of these terms come from <u>Understanding Films<\/u> which is a highly useful film studies book if anyone is interested in a little background reading. <\/p>\n<p><b>Shot<\/b> &#8212; an unedited strip of film, continuous from the time the camera starts to when it stops filming<br \/>\n<b>Frame<\/b> &#8212; the dividing line between edges of screen image and the enclosing darkness of the theater. Also a single photo from a filmstrip<br \/>\n<b>Mise-en-Scene<\/b> &#8212; the arrangement of objects in space, the art of the long and extreme long shot.<br \/>\n<b>Dominate Contrast<\/b> &#8212; the area of an image that immediately attracts our attention because of conspicuous and compelling contrast (note: this is often easier to see when the image is turned upside down. Try it, its cool!)<br \/>\n<b>Bird\u00e2\u20ac\u2122s Eye<\/b> &#8212; camera angle where the camera is directly overhead, giving the audience and \u00e2\u20ac\u0153bird\u00e2\u20ac\u2122s eye view\u00e2\u20ac\u009d<br \/>\n<b>High Angle<\/b> &#8212; camera placed on a crane to give the audience a greater overview. This angle seems to slow movement down and reduce subject importance.<br \/>\n<b>Eye-Level<\/b> camera placed approximately 5 to 6 feet from the ground, the eye-level of an average-height person. This presents all characters on an \u00e2\u20ac\u0153even plane\u00e2\u20ac\u009d and allows the audience to make their minds up about the characters on their own.<br \/>\n<b>Low Angle<\/b> &#8212; camera placed on the floor, or some other low point, and angled upwards. Seems to speed up motion, give a sense of confusion and minimize the environment while heightening subject importance.<br \/>\n<b>Oblique Angle<\/b> &#8212; a lateral camera tilt which suggests tension, transition and impending movement. <\/p>\n<p>So those are my \u00e2\u20ac\u0153important\u00e2\u20ac\u009d terms, which may or may not play out in this class, but they\u00e2\u20ac\u2122re certainly interesting things to notice in any film! Also, another interesting fact I came across recently is that they human eye can only see and process 8 elements at a time, which would explain why we often have to watch a film more than once to see find every meaningful thing the director has packed in there. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>After today\u00e2\u20ac\u2122s class, I thought it might not be a bad a idea to list and define some \u00e2\u20ac\u0153key\u00e2\u20ac\u009d terms in film studies; I thought it would be easier if we had a list of a few important things in &hellip; <a href=\"https:\/\/blogs.elsweb.org\/marycarolyn\/2007\/02\/12\/terms-terms-and-more-terms\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":0,"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/posts\/14\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/media?parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/categories?post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.elsweb.org\/marycarolyn\/wp-json\/wp\/v2\/tags?post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}