vertigo

I just wanted to comment on a few things I noticed while watching Vertigo. Of course, the mirrors and reflections in windows that are literally everywhere like the corridor of fragmented mirrors that Madeline tells Scotty about. Two that really stood out to me were the first time Scotty saw her as she walked out there was her reflection, and then when he finds her as Judy and she looks up from the mirror and then asks, “Do I really look like her?”

Further, I’m not sure of the significance, but I found two recurring images that were present in almost every setting. One was a circle with something like spokes or spindles in pointing towards the middle, like a wheel of a ship, which may represent the obsession cycle or the dizziness, and the other was an upside down U (whatever that may be called?), like a Roman arch shape and most of the lights are shaped like a V with the two ends extended out in a swoop like a stick-figure seagull (if that makes sense). The wheel can be scene for example as a golden decoration in Scotty’s apartment, or on the hotel ceiling or some design on the buildings Scotty and Judy pass by when they go walking.

The arch shape is first seen (that I really noticed) on the doors of the restaurant Ernie’s. It is upside down and separated which may have a lot of meaning because it is on the doors of the place where Scotty first sees Madeline, as well as where he takes Judy when he tries to bring his love back through who he thinks is another woman. Almost every great building that they drive by, like the museum and later the Church have the Roman arch, and when they go walking it is on the building they pass by. It can even be seen in such things as the shape of a fireplace.

The lighting example can be found when Scotty goes upstairs in the hotel, various house lamps as well as the chandeliers in the court room.

1 Comment so far

  1. mark’s awesome blog on April 27th, 2007

    [...] Now for other’s blog posts: CaptColdgrip’s blog comments on the recurring symbolism that occurs in Vertigo, specifically, the appearance of a circle that is found in almost every system. I think that is an extremely important observation because it shows how meticulous Hitchcock was in preparing his sets. There is symbolism everywhere, and none more important then the idea of dizziness or vertigo found in the circle with spokes coming up. There are several other examples I found in the scene I discussed earlier. One of the most obvious is the way Judy/Madeleine walks, she often seems somewhat off-balance like she is walking across a balance beam and could fall off at any moment. Another example off of this could be the picture of the ballerinas on the wall, which are crooked, and also the gift boxes which are disheveled on the little stand. The frame of the picture of flowers is also a bit crooked. This is a symbol of the dizziness and the disorientation associated with vertigo. Even more important could be the scene where they are kissing, and the camera begins to “spin around” them. Again another example of dizziness, which is perfectly placed since this is a moment of “love” and shows how unsettling it can be. [...]

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